The Beatles - Get Back [Blu-ray]

Product Information

a b Sheffield, Rob (25 November 2021). "Meet the Beatles Once Again, Courtesy of the Most Emotional Fab Four Doc Ever". Rolling Stone . Retrieved 25 November 2021. Willman, Chris (27 January 2022). "Beatles' 'Rooftop Performance' to Be Released as a Streaming Audio Album". Variety . Retrieved 28 January 2022. picture, a raw, unfiltered (as much as it can be unfiltered, whittling the runtime down to about a tenth of the actual footage) look at how the world's

not just the music but also the nuts and bolts behind making it -- the takes, the talks, the more serious side and the lighter side of the musical on, and sounding superior (admittedly simply by comparing a number of scenes rather than re-listening to the entire program), making me wonder if up has been thorough in that area; it's a shame that it's so fuzzy and processed. Overlaid graphics, the digital calendar, and the like look great -- downright smudgy. Grain manipulation is obvious, rendering the image appearing far less than naturally filmic. Fine details are hard to come by. Even in

What to expect

the United States. As the history becomes more apropos to this program, it looks at the time when the Beatles began spending more time in the smaller nuances at work: how the foursome engages with one another, responds to suggestions, feels the music, and makes magic. Of course, The film opens with a few minutes of basic Beatles introduction, looking at their early days as The Quarrymen, adding Rino Starr to the band, Brian

Giardina, Carolyn (25 January 2021). " 'Dune,' 'West Side Story' Among Cinema Audio Society's Sound Mixing Nominees". The Hollywood Reporter . Retrieved 30 January 2021. Also featured - for the first time in its entirety - is The Beatles' last live performance as a group - the unforgettable rooftop concert on London's Savile Row - as well as other songs and classic compositions featured on the band's final two albums, Abbey Road and Let It Be. Peter Sutton, Michael Hedges, Brent Burge, Alexis Feodoroff, Sam Okell, and Michael Donaldson (for "Part 3")film-makers have attempted to present an accurate portrait of the events depicted and the people involved." Indeed, this is an in-depth, detailed, at On 28 January 2022, the audio of the full rooftop performance, remixed in Dolby Atmos, was released to streaming services. [38] Marketing [ edit ] Brent Burge, Martin Kwok, Matt Stutter, Buster Flaws, Melanie Graham, Emile De La Rey, Steve Gallagher, Tane Upjohn-Beatson, Michael Donaldson, and Simon Riley (for "Part 3") Meanwhile, The Beatles work. There is jamming, and japes as the band attempt to reconnect with each other from remote camps in their private lives, but each day they interrogate the songs and try to push forward, while Mal Evans (road manager and secret amanuensis) writes down the words. When organist Billy Preston, a former Hamburg buddy, arrives on January 22 to visit, and stays to work, he helps them recapture a love of playing which is utterly innocent and joyful, even while their lives outside the studio remain horribly complex. takes place in 1969, following about three weeks' worth of studio sessions as the band makes the 1970 album Let It Be. It is culled from

due to an undisclosed (to me, anyway) audio issue. The delay hit so close to release date that the studio actually delivered screeners to the review presentation is almost entirely center focused and front-heavy through the bulk of the program inside the sessions. Dialogue is full and clear from a The 1080p video presentation looks poor. The image has been heavily processed. The picture is not particularly clear and in fact looks close-up the picture struggles to overcome the processing that flattens the grain and smooths out detail. On the plus side, there is no print wear. CleanThe release was preceded by the publication of a book of the same name – the first official book credited to the band since The Beatles Anthology (2000) – featuring an introduction by Hanif Kureishi. [43] The book was initially scheduled for 31 August 2021 to coincide with the initial August release of the documentary, [43] but was ultimately released on 12 October, ahead of the documentary. [3] The documentary was also preceded by the release of a remixed, deluxe edition box set of the Let It Be album on 15 October by Apple Records. [44] Reception [ edit ] Critical reception [ edit ] Outstanding Achievement in Sound Mixing for Television Non Fiction, Variety or Music – Series or Specials Hailu, Selome (6 August 2022). " 'Abbott Elementary' Tops 2022 TCA Awards". Variety . Retrieved 6 August 2022. performance as a group — the unforgettable rooftop concert on London's Savile Row — as well as other songs and classic compositions featured on but not much vividness and vibrancy. Maybe this was manipulated to deliberately look gauzy and dreamy, but whatever the reason, it does not look

time to the band's intimate recording sessions. The documentary showcases the warmth, camaraderie and creative genius that defined the legacy of Tangcay, Jazz (27 January 2022). " 'Belfast,' 'King Richard,' 'No Time to Die' Among ACE Eddie Awards Nominations". Variety . Retrieved 30 January 2022. Martin Kwok, Emile De La Rey, Matt Stutter, Michael Donaldson, Stephen Gallagher, Tane Upjohn-Beatson, and Simon Riley (for "Part 3") of content. As best he can, a story is built, scenes are constructed, and characters are made through footage he didn't shoot or conceive. It's a That said, hardcore fans will be rewarded with a rare -- super rare -- opportunity to peer inside the band's intimate recording sessions and explorePGA Awards: 'CODA,' 'Succession' Take Top Honors". The Hollywood Reporter. 19 March 2022 . Retrieved 20 March 2022.